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Irish Handmade Crafts

Crafts

Irish History

Gift Ideas

Gifts & Occasions

Handmade Irish Gifts

Shop in Ireland

Art
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



















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Mini Inish
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20 products
Hi, I'm Ciaran!
I'm a native of Derry City, dad of one, keen amateur sportsman and love Irish history and literature! I create these unique pieces (in my own kitchen!) with the aim of highlighting the incredibly rich heritage of ancient Ireland, with a particular interest in my own backyard of Donegal. I have a background in model making and sculpting and have tried to recreate the majesty of our heritage sites as faithfully as possible, with each being completely created and painted by my own hands. These are the beginning of a range I am creating to showcase the lesser known hidden gems of Irish heritage, bringing pieces of ancient Ireland into people's homes. Created using locally sourced paints and plaster, I pride myself on delivering a piece that is totally unique and holds up to close inspection and scrutiny. Having grown up in a proud Irish household where indigenous art and literature were highly valued, I have been interested in our ancient history and ancestors for as long as I can remember. I am so happy to be able to create these pieces and share my love for our cultural heritage with others of the same mind. These pieces look, feel and weigh like genuine stone, you will not find these available anywhere else on Earth!